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WACTAC 2007-2008

photo: Gene Pittman

The Guerrilla Girls and WACTAC

photo: Witt Siasoco

Teen Video Workshop

Photo: Megan Leafblad

Master Class with Popmaster Fabel

photo: Cameron Wittig

General Information

Since 1994, the Walker Art Center has been the innovative leader in teen programming, providing cultural institutions around the world with a successful model for engaging teenagers. The mission of Teen Programs is to connect teenagers to contemporary art and artists. The Walker was the first art museum in the country to devote full-time staff to working with and building teen audiences.

Walker Teen Programs sponsored by:
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Supporter Media Partner
Walker Teen Programs
are also supported by
the Surdna Foundation
the play side of things right arrrow

blogs, links, events and art from the teens behind ►



Archive for December, 2007


Juno

Now I know I haven’t written any movie scripts myself… lately. But I fail to be impressed by Juno, sure I chuckled few times, maybe even slapped a knee or two, but I just don’t see what all the hype’s about.

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I like the lights

As I was sitting contemplating what to listen to I decided to do a quick rundown of my favorite local bands, in hopes that someone will see my list, go out and check something out. So, in no particular order, the artists that exemplify this place I call home:

Lifter Puller

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Prince

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Word For Word

Malachi Constant

Atmosphere

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On the subject of music I saw a BOOST MOBILE commercial with Jermaine Dupri, Young Jeezy, and… Mickey Avalon?! Mr. “My D***” said about three words, but it threw me for loop.

Then on a Rhapsody commercial they had The Cool Kids. It was a good commercial day.



Loworks

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This is by some Japanese design firm called Loworks. I found it when I was looking for a ipod skin. But look in the right hand corner, doesn’t that car look a little like Patrick’s painting? Strange.



MTV Internship in Saint Paul

The Picture Factory is on a mission to find a few interns to work either full or part time in the production office in St. Paul. At this time the position is not a paid position but would be good for anybody looking to gain experience, connections and/or school credits.
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Kiki Smith Tattoo

Whitney Garner, our Teen Programs Intern, permanently solidified her devotion to Kiki Smith’s Born.

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Image:
Kiki Smith, Born , 2002
bronze Courtesy the artist and PaceWildenstein Gallery, New York
Photograph by Kerry Ryan McFate



Apply for By Design at the MCBA

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By Design is an intensive teen artist and mentorship program offered in three sessions throughout the year. Students work in the studios of Minnesota Center for Book Arts with professional artists and learn a wide array of techniques and media for working with text and image (drawing, collage, printmaking, comic art, book art, etc.). By Design culminates in a downtown Minneapolis exhibition.

Check out the By Design website and download an application.

WINTER SESSION: APPLICATIONS DUE JANUARY 18, 2008



Evel Knievel Dies at 69

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Turns out he’s a real guy. I think he’s inspiring. Here’s the obit.

The name: when he was in jail for stealing hubcaps, when he was just a wee lad, he met a man called Awful Knofel.

WACTAC connection: Instead of being on WACTAC as a teen he was a great ski jumper in Butte, Montana. WACTAC member Olivia participates in a mundane form of skiing (nordic) and has an American flag jumpsuit.

Kanye West connection: Evel Kanyevel music video for Touch the Sky. Get it?

And his start: At the tender age of 27 he became the co-owner of a motorcycle store. A true entrepreneur, he decided to attract customers by he announcing he would jump his motorcycle 40 feet over parked cars and a box of rattlesnakes and continue on past a mountain lion tethered at the other end. Before 1,000 people, he did the stunt as promised but failed to fly far enough; his bike came down on the rattlesnakes. The audience was in awe. "Right then," he said, "I knew I could draw a big crowd by jumping over weird stuff."

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God Bless America.



Lupe Fichantzco.

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Lupe Fiasco’s most recent album, The Cool, dropped Tuesday.

I have to say that I was a bit embarrassed to run out to Fifth Element the second school let out, just to cop the follow up to a somewhat boring and all around Faux-Epic Food and Liquor.

The Cool has gotten good reviews, but if you are thinking of buying the album, know this:

The Cool’s theme is loose- it is a concept album based around a ’story’ of the child from his previously released song, He Say/She Say. This being said- the message that Lupe hopes to convey is almost shoved down your throat on every track. The trite nature of his hustla-sarcasm makes this feel like an album for scholars rather than listeners.

Lupe is quoted as saying, “I don’t know how to make a number one record, so I don’t even try.”

Lupe’s talents run beyond preacher- his message runs cold, but The Cool surely doesn’t. The first track is a terrible spoken word intro, and the second track is an unpromising interlude, reminiscent of his Food and Liquor days, entitled Free Chilly, but once the album gets moving, it feels like the most well composed album since… American Gangster.

When listening to the album for the first time, pretend as if you don’t already know what he’s going to say on every track, when his message gets tired, tune it out and ride the ascensions and dissensions of the album.

Best tracks: The Coolest, Go Go Gadget Flow, Gotta Eat, Put you On Game, Fighters, and Dumb it Down.



M.I.A. Censored Everywhere

“Paper Planes” Original Video (with gun shots)

M.I.A. Performs “Paper Planes” on David Letterman (without gun shots)

Apparently yesterday MTV removed the gun shots, then removed the entire video from their website. Read more here.



Danny Hoch is Taking Over

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Last Thursday we took a field trip to the Playwright’s Center to watch Danny Hoch’s one man show “Taking Over.”

Hoch touched on the gentrification of his neighborhood, Williamsburg, in New York City. He did this through a series of raw, comical, and very well-acted over the top characters experiencing this event from a multitude of different perspectives.

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Opening with a slighty-drunk neighborhood meeting, Hoch played a disgruntled boricua who’s family and friends were being pushed out of their homes due to the rising rents or their inability to renew their leases. He yelled at the imaginary meeting, spewing out the types of slurs and slang undertoned with hurt and confusion. “How come as soon as we get our own neighborhood clean it’s not good enough for us anymore.”

He went on to play a French real estate agent, selling to the super rich a deluxe condo in the sky. It’s worth noting that Hoch was impeccable in his voice acting of these different characters, nailing the language and subtle mannerisms for each. In one of his next scenes he played a Dominican cab dispatcher, speaking spanish to the drivers, and as he talked to driver’s of different Hispanic backgrounds (Puerto Rican, Mexican, Dominican), his accent would change to mock these driver’s and tell them, “Si puedes manejar y tampoco sabes donde estas, regresa a tu pinche colonia en Puebla guey.” I happen to be from Puebla.

Hoch played about seven or eight characters. They each portrayed a different viewpoint, from the NYU hipster selling cd’s on the street complaining about the police telling her to leave as “police brutality,” to the real estate developer who asked the question of why he wasn’t being rewarded for pushing “all the bad people” out of the neightborhood.

One of the better pieces in his performance was when Hoch took off the disguise of the character and read candidly from his own experience, recalling standing in what is now a Whole Foods, where back in 1984 in the same spot he stood he witnessed a murder. He spoke of traveling to perform because only people outside of his home want to listen to his story, and how it frustrates him that other people come to his home and change where he grew up.

There is no moral to the story, rather a gray area that leaves you thinking when you leave the auditorium. He showed the contempt and hate involved in class struggle. He showed how events like gentrification bring out the dark sides of people, eager to point out what’s wrong with everybody else. He did these in a great screenplay, summing up major themes of class struggle with comments from the opening Puerto-Rican speaker asking his grocery store owner “Why wouldn’t you buy soy milk when we would ask for it!? Why did you wait till the white people came!?”

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Hoch shows that it is hard to find a right answer; he is part of the problem as well as part of the solution. He opens the dialogue for others to discuss these issues, and he shuts others out by embarrassing them or infuriating them.

“Taking Over” is a great one man show, because whether you agree or disagree with his feelings or his extreme character expressions, by the time he walks off the stage it will leave you with something to think about.



Dane’s Art Opening

Just wanted to take a moment to plug former WACTACer Dane Johnson’s show. Dane current lives in Seattle, but will be showing here in Minneapolis during the month of December. Check out his work here.

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NEW WORK BY DANE JOHNSON
DECEMBER 8 THROUGH JANUARY 13
DOLCE VITA (on the skyway level next to Macy’s)
811 LaSalle Ave., Suite 213
MPLS MN 55402
OPENING RECEPTION, 4-7 PM DECEMBER 8






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